by Gina Burgess
Like me, you may have wondered where in the world all those rules about writing came from. From people who supposedly know about writing. Duh. In one of my Facebook groups, someone asked, “What is the writing rule you dislike the most?” I’m amazed at some of the dislikes, so I thought I’d ask you. But before we go there…
No one can deny that Elmore Leonard is a very successful author. He wrote books that went on to be successful movies… maybe not family-friendly fare, but successful. His legacy lives on in these and for authors, his 10 Rules of Writing. On WikiMedia, his 89-page book was condensed into a Reader’s Digest version:
- Never open a book with weather:
If it’s only to create atmosphere, and not a character’s reaction to the weather, you don’t want to go on too long. The reader is apt to leaf ahead looking for people.
- Avoid prologues:
They can be annoying, especially a prologue following an introduction that comes after a foreword.
- Never use a verb other than “said” to carry dialogue:
The line of dialogue belongs to the character; the verb is the writer sticking his nose in. But said is far less intrusive than grumbled, gasped, cautioned, lied.
- Never use an adverb to modify the verb “said”:
… he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange.
- Keep your exclamation points under control:
You are allowed no more than two or three per 100,000 words of prose.
- Never use the words “suddenly” or “all hell broke loose”:
This rule doesn’t require an explanation. I have noticed that writers who use “suddenly” tend to exercise less control in the application of exclamation points.
- Use regional dialect, patois, sparingly:
Once you start spelling words in dialogue phonetically and loading the page with apostrophes, you won’t be able to stop.
- Avoid detailed descriptions of characters:
In Ernest Hemingway’s “Hills Like White Elephants” what do the “American and the girl with him” look like? “She had taken off her hat and put it on the table.” That’s the only reference to a physical description in the story, and yet we see the couple and know them by their tones of voice, with not one adverb in sight.
- Don’t go into great detail describing places and things:
You don’t want descriptions that bring the action, the flow of the story, to a standstill.
- Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10: If it sounds like writing, I rewrite it.
I’m sure you recognize all of these, correct? Personally, as an editor, I have a huge problem with rules that start with “Never” or “Always.” Writing situations often call for breaking a rule, well, just because.
I’m sure you recognize all of these, correct? So now that your mind has been refreshed by these rules—and these aren’t the only rules by any stretch—what is the writing rule you dislike the most? Why? Here’s the kicker: What is the rule you like the best? Why?